

|
Fundamentals of Oral Communication 2nd edition One of the most comprehensive basic communication textbooks available, with companion web resources. |
|
Cases on Online Discussion and Interaction: Experiences and Outcomes (2010)
Includes chapter “Collaborative Student Groups and Critical Thinking in an Online Basic Communication Course” by Roy Schwartzman & Megan Morrissey
|
|
Knowledge Management: Theoretical Foundations (2008)
Includes lead chapter “A Rhetorical Reconsideration of Knowledge Management: Discursive Dynamics of Nanotechnology Risks” by Roy Schwartzman & David Carlone |
|
Learning Objects: Theory, Praxis, Issues, and Trends (2007)
Includes lead chapter “Where Theory Meets Practice: Design and Deployment of Learning Objects” by Roy Schwartzman, Darla Runyon, & Roger von Holzen |
|
Authority and Transgression in Literature and Film (1996)
Includes chapter “Racial Theory and Propaganda in Triumph of the Will” by Roy Schwartzman
|
|
The Theory and Practice of Political Communication Research (1996)
Includes chapter “Toward a Critical Hermeneutic: Methodological Quandaries in Studying Nazi Racial Doctrines” by Roy Schwartzman
|
|
Student Success Guide for Public Communication (3 editions, 1994-1997; 3rd edition shown)
|

|
Only This: Poems by Roy Schwartzman (2001) ISBN: 0-89002-358-1
|

|
War and the Media: Essays on News Reporting, Propaganda and Popular Culture (2009)
Includes chapter “Inspecting the Rhetorical Arsenal: The War Frame in Nazi Germany’s der Kampf and America’s War on Terror” by |
|
Communication, Relationships and Practices in Virtual Work (2010)
Includes chapter “Online Teaching as Virtual Work in the New (Political) Economy” by Roy Schwartzman & David Carlone |

|
Disturbing the Surface (chapbook) (1995) Purchase
“This...collection is full of great poetry with many thought-provoking lines. ...Don’t pass this one up.”
“Disturbing the Surface by Roy Schwartzman is a revealing collection of a man’s reaction to the world around him. Each poem is a treasure to be cherished and savored as the poet takes mere words and transforms them into exquisite poetic expression.” |